In the 1997 science fiction film The Fifth Element, directed by Luc Besson, there is a memorable scene involving the protagonist, Korben Dallas (played by Bruce Willis), and a nervous would-be robber. This sequence not only provides a moment of comic relief but also showcases Korben's unflappable demeanor and quick reflexes.
The scene unfolds in Korben's modest apartment in a sprawling futuristic city. As he goes about his routine, a sudden knock at the door catches his attention. Upon checking the digital screen displaying the hallway, Korben sees a man wearing an outlandish, brightly colored hat with a picture of the hallway printed on it, attempting to blend into the background—a clear indication of his amateurish attempt at disguise.
Sensing something amiss, Korben cautiously opens the door, only to be confronted by the jittery individual brandishing a firearm. The would-be assailant nervously demands, "Gimme the cash!" Korben, maintaining his composure, subtly raises his hands in a gesture of compliance. As the assailant becomes increasingly agitated, Korben seizes the opportune moment. With lightning-fast reflexes, he disarms the man, swiftly turning the situation to his advantage. Holding the now-unloaded weapon, Korben points it back at the assailant and calmly states, "That's a very dangerous gun. Maybe you better let me hang on to this one for you."
The disarmed assailant, realizing he's been outmatched, breaks into a nervous dance, attempting to play off his failed robbery with an air of nonchalance. Korben, unfazed, watches the man's awkward retreat, highlighting his seasoned demeanor and ability to handle unexpected threats with ease.
This scene serves as a testament to Korben Dallas's character—a retired special forces major turned taxi driver—showcasing his combat proficiency and unshakable calm under pressure. The blend of humor and tension in this interaction adds depth to the film's narrative, providing insight into the chaotic and unpredictable world in which the characters inhabit.
For a visual representation of this scene, you can watch the following clip:
